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Harriet, 05-07-08
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1502GDD, 05-14-08
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3,000-mile bike route to pass through the Seacoast
Heading
south from Badger’s Island in Kittery, Route 1 crosses the Memorial
Bridge and cuts through downtown Portsmouth. Bicyclists have two
options to cross the bridge: They can either dismount and walk their
bikes, or they can take their chances on the metal grate roadway, which
can spell the end for road bike tires.
Soon that will change. When the bridge is rehabilitated next
year, it will be outfitted with concrete to make for easy crossing.
Memorial Bridge will become the first stretch of New Hampshire’s
segment of the East Coast Greenway—a bicycle route that traverses the
entire East Coast of the United States.
After crossing the bridge, cyclists travel through downtown
Portsmouth. The crowded city center is one of many that the Greenway
intersects on its path south. Below the city, the road opens up a
little, and the route follows Route 1A and 1B through the twists and
turns of the coastline.
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Every spring, a growing number of Seacoast residents have ditched
their cars in favor of bikes. With gas prices climbing, celebrating
Bike to Work Day makes more sense than ever. This year, New Hampshire’s
sixth annual Bike/Walk to Work Day falls on Friday, May 16.
In
addition to saving money, getting some exercise and doing right by the
environment, participants can also take advantage of free commuter
breakfasts. This year, three new locations have been added to the
regionally coordinated event. Rochester, Milton and Lee will offer free
breakfasts, bringing the total number of participating communities to
nine.
Bike to Work Day is meant to highlight the benefits of
car-free commuting. Throughout the second week of May, a number of
local businesses are taking part in the Corporate Commuter Challenge,
which is a competition to see which businesses can get the most
employees to bike to work.
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marijuana decriminalization bill fails
The N.H. State
Senate voted down a bill on May 1 that would have reduced possession of
small quantities of marijuana to a violation level offense. The N.H.
House passed HB 1623 in March, but the Senate Judiciary Committee
roundly rejected the legislation in April and the full Senate voted it
down shortly thereafter.
Sponsored by Rep. Jeffrey Fontas (D-Nashua), HB 1623 would have
reduced the offense of possessing up to a quarter-ounce of marijuana
from a misdemeanor to a violation punishable by a fine of no more than
$200. Although the bill ultimately failed, some advocates feel it
represented a big step toward marijuana reform in the state. Matt
Simon, executive director of the N.H. Coalition for Common Sense
Marijuana Policy, said he was not discouraged by the Senate’s vote.
“A strong majority of voters now understand that our marijuana
laws were written for the 1970s and that they need to be updated for
the 21st century,” Simon said in a release. “Through this process, I
think we have demonstrated that a reform of this nature is both wise
and inevitable.”
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Christine Gagliano and her friends devised a plan to meet Snoop Dogg
on Friday, May 2, while dodging a light drizzle at the entrance to the
Whittemore Center.
“We’re going through the doors, get patted
down and running for the stage,” said junior Gagliano amid a crowd of
eager Snoop fans. “We’re going to take off our heels and run. These
people behind us think they’re getting in first—they’re not. I’ve been
here since 2.”
Gagliano and her friends, juniors Jenna Madore and
Kiley Anderson, were the first concert-goers to start a line outside
the Whit before SCOPE’s Spring Climax concert on May 2, featuring
platinum-selling rap artist Snoop Dogg.
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court rules against construction of a recreation center on Emery Field, town considers its next move
A
battle over the location of a proposed Community Center in Kittery has
been raging for more than three years now, with both sides alternately
cheering and sulking. The latest cheers have come from members of Save
the Village, a group that opposes construction of a new Community
Center on Emery Field. That’s because a York County Superior Court
justice recently sided with the group, effectively rejecting the town’s
application for the construction.
“I think they are very happy. It’s been a lot of hard work for
them,” said attorney Alan Shepard, who represents Save the Village.
“It’s not that easy to be dedicated to something when it takes several
years to be resolved.”
Town officials, meanwhile, are left to consider their next move,
which could involve shifting their sights to the Frisbee School.
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In many respects, Superfrog is like a live, retro jukebox filled
with records hand selected by stoner hippies of the late 1960s. During
the band’s two sets at The Blue Mermaid in Portsmouth last Friday, the
six members covered songs by Jefferson Airplane, The Grateful Dead,
Jimi Hendrix, Janis Joplin and Led Zeppelin, to name but a few. The
only thing that keeps Frog outside the realm of a “cover band” is a
smattering of original tunes, which the group will soon convert into
its first full-length album.
In a demonstration of its musical training, Superfrog tuned its
instruments and loosened up with “So What,” off of Miles Davis’ classic
“Kind of Blue.” Once the band members were satisfied with the sound,
they kicked off the show with “Badfish,” the first of two Sublime
covers of the night. Midway through the song, guitarists Andy Mendola
and Jeremy “Fuzzy” Grob dueled playfully on their six-strings, the
former on electric and the latter on acoustic. Meanwhile, bassist Nate
Proper and drummer Shane Comer maintained the beat, while trumpeter
Tony DiBurto ornamented the tune with his horn.
It was quickly evident that the musicians, most of whom are in
their early 20s, strive to replicate the frolicking party atmosphere
that Sublime imbued in the 1990s. While the band paid frequent tribute
to its classic rock forefathers, it also tipped its cap to modern jam
acts like moe. Interspersed between the covers were occasional
originals that carried a similarly jammy, funk-rock sound.
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It’s not Woodstock, but an upcoming event at The Music Hall also
celebrates peace with a big concert. Guests this weekend will
commemorate the historic signing of the Portsmouth Peace Treaty with an
evening of music fit for presidents. The Music Hall will host the
second annual Portsmouth Peace Treaty Commemorative Concert on
Saturday, May 17. The Seacoast Wind Ensemble will be on hand to perform
a musical program titled “Peace & The Presidency: Music for George
Washington, Abraham Lincoln and Theodore Roosevelt.”
The concert memorializes the end of the Russo-Japanese War 103
years ago. It was in 1905 that diplomats from Japan and Russia met at
the Portsmouth Naval Shipyard as guests of President Theodore Roosevelt
to negotiate the end of the war. The meetings led to a new era of
diplomacy between the warring nations and the United States, and
Roosevelt later received the Nobel Peace Prize for his role in the
negotiations.
The program on Saturday will include a performance of American composer
Aaron Copland’s “A Lincoln Portrait,” with narration by Phillip’s
Exeter Academy chaplain Rev. Robert Thompson, whose powerful voice will
reverberate through the domed theater. The program is organized and
conducted by SWE music director Richard Spicer.
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The RPM Jukebox is home to more than 16,000 songs from independent
musicians all around the world. The music spans every genre and style
imaginable, and anyone can log on, browse, and listen at
www.rpmchallenge.com/jukebox. To give you a head start in your
exploration of this new world of music, here’s a sample album that
caught our ear!
‘Ashen Sea’
by The Governess, 2008, Portsmouth
If Portisheady was a real adjective, we’d throw it down as one of the
descriptive words for this album. It’s full of low, drawn vocals and
melodies, as well as the comforting scratches and hisses we know so
well from early Portishead albums.
The music of The Governess, performed by Nathaniel Raymond and
sung by Nicole Speidel, has a hypnotic, other-worldly feel. Speidel’s
voice is breathy and haunting, like she’s underwater or possibly
orbiting just above the Earth.
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rated PG
“Speed Racer” is a candy-coated acid trip, a string
of surreal, hard-to-follow visuals wrapped up in a palette of bright,
blinding colors with a storyline so sweet that your teeth may start to
hurt. Anyone over the age of 16 will probably have a hard time making
sense of “Speed Racer” and might wind up with cinematic diabetes and a
bad seizure after watching. But “Speed Racer” is a kids’ movie through
and through, and any sort of concern for adult viewers is lost among
the car races (which are exciting, although a bit too much like Mario
Kart), kung fu fights and monkey-related antics.
Written, directed and produced by “The Matrix” creators Andy and
Larry Wachowski, “Speed Racer” is not your average summer movie
vehicle, but the quality of the ride depends highly upon your age and,
more importantly, love of the original cartoon.
Speed Racer (Emile Hirsch) loves racing more than anything, save
perhaps his family—but they all love racing, too, so it’s about equal.
His dad, Pops Racer (John Goodman), founded the family’s racing company
and built Speed’s ultra-slick set of wheels, the Mach 5. As Speed
continues to break records and attract notice in the World Racing
League, he still finds himself in the shadow of his older brother, Rex
(Scott Porter), a legendary racer disgraced by scandal and seemingly
killed in a fiery crash.
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Orion Pictures, 1981
starring: Michael Caine, Andrea Marcovicci, Annie McEnroe and Bruce McGill
written and directed by: Oliver Stone
the plot: Jonathan
Lansdale (Caine) is a successful comic artist with a beautiful wife,
Anne (Marcovicci), and an adorable daughter. But tragedy strikes when
Anne causes a bizarre car accident that claims Jonathan’s right hand.
Lansdale’s recovery goes slowly, and Anne pressures him into moving the
family to New York so she can attend a New Age university in the city.
Unable to draw, Lansdale becomes depressed, and an attempt to pass his
comic strip on to another artist ends in disaster. Through it all,
Lansdale is plagued by visions of his missing hand and frequent
blackouts, after which he cannot recall his activities. As his marriage
becomes more strained, Lansdale accepts a teaching job in California in
order to get away. But his visions persist, and he slowly begins to
suspect his severed appendage is following him around and causing
mayhem.
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new restaurants and owners flood Portsmouth
Last year,
downtown Portsmouth saw the opening of new restaurants like Rudi’s
Portsmouth, Black Trumpet Bistro and Brazo, which settled into the
former locations of The Metro, Lindbergh’s Crossing and 43 Degrees
North, respectively. Spring 2008 brings a new batch of fresh changes to
the Port City’s dining scene. When restaurateur Jay McSharry, who still
owns Jumpin’ Jay’s Fish Café, The Red Door and Dos Amigos Burritos,
sold The Dunaway Restaurant late last month, it was the latest in a
spree of dining developments to hit downtown. New enterprises are
quickly filling the spaces recently vacated by Isis, The Mustard Seed,
AK’s and Gepetto’s, offering a variety of new lunch and dinner options.
Most of these businesses should be up and running by late spring,
diversifying the city’s restaurant population in time for summer. What
follows is a roundup of the latest restaurant happenings in Portsmouth.
Bon appetit.
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a chat with author Mark Sarvas, en route to RiverRun Bookstore
For
almost five years now, author Mark Sarvas has been keeping tabs on all
things literary on his blog, “The Elegant Variation.” In that time, he
has managed to garner praise from such sources as The Guardian,
National Public Radio and Los Angeles Times Magazine. The blog has also
earned Sarvas some … well, since this is the Year of the Superhero,
let’s just call them nemeses (Steve Almond, we’re talking about you).
Sarvas, who lives in California, has spent some of his time writing for
movies and television. He just released his first novel, “Harry,
Revised,” the tale of Harry Rent, a man in search of change. Harry has
just lost his wife, who died while undergoing an unnecessary surgical
procedure. Not having been an ideal husband, Harry feels her death was
his fault. Determined to turn his life around, he sets out to gain
redemption by helping others.
The Wire recently contacted
Sarvas through e-mail during his national tour in support of the novel,
which will bring him to RiverRun Bookstore on Thursday, May 22. The
author shared some thoughts on career choices, writing and Indiana
Jones.
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new art at Three Graces produces motion out of stillness
Shiao-Ping
Wang’s paintings are moving. Not just because a thing of beauty stirs
emotions, but because the artist is inspired by growth and change, the
flow of time, and the transition from her native Taiwan to the United
States.
The evolution of several layers of paint expresses these ideas
as well as the paint itself. Wang combines two kinds of paint to create
the impression of movement. The acrylic is glossy and the flashe, a
vinyl paint, is matte.
Her recent work is on display until June 9 at Three Graces
Gallery in downtown Portsmouth, complemented by sculpture from Melissa
Turner. The two-person art exhibit opened May 9 as part of the city’s
monthly Art Round Town event.
The sculptures by Turner, which are labeled only M. Turner, like
the music of M. Ward, are large but delicate bowls with walls that
twist and fold into the center. The all-white or -black sculptures have
a way of capturing shadows that add another facet. In her artist
statement, she writes, “I am intrigued by the visual obscurity of one
part by another, requiring physical movement to come to understand the
piece as a whole.”
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‘Around the World in 80 Days’ at Seacoast Repertory Theatre
In
the late 1970s and early ’80s, there were two types of movies: big,
wild, Barnum and Bailey, showy-type films, and small, intimate movies.
Plenty of people could pull off the quiet films, but when it came to
the circus, no one stepped up quite as well as a young director named
Steven Speilberg.
I can’t think of a better description for the work of Blair
Hundertmark. Whether his stage is large or small, he utilizes every
corner of the theater and every facet of each actor and crew member for
his latest work. He combines Jeanné McCartin’s costuming brilliance
with Audra Avery’s resplendent scenic design skills, and tops it all
off with Craig Faulkner’s incandescent lighting design. The result is a
devilishly bold piece of art. Running at Seacoast Repertory Theatre in
Portsmouth, “Around the World in 80 Days” attracts 2-year-olds and
80-year-olds alike, and all eyes remain fixed on the stage for fear of
missing a single moment.
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Pontine Theatre in Portsmouth will host a community arts workshop
from May 20 to June 29, training participants for a series of public
performances at Strawbery Banke Museum and West End Studio Theatre. The
six-week program will culminate in performances of Pontine’s original
stage adaptation of Thomas Bailey Aldrich’s novel, “The Story of a Bad
Boy,” on the weekend of June 28.
Presented by Pontine’s artistic directors, Greg Gathers and
Marguerite Mathews, the six weekly workshop sessions will educate
community members about basic theater skills like stage design,
directing, and acting. Participants will gain insights into Pontine’s
creative production techniques for storytelling, puppetry, toy theater
and masked acting.
Pontine recently staged its unique adaptation of “The Story of a
Bad Boy” at West End Studio Theatre on Islington Street. The production
coincided with the 100th anniversary of the establishment of the Thomas
Bailey Aldrich Memorial at Strawbery Banke. Born in Portsmouth in 1836,
Aldrich published “The Story of a Bad Boy” in 1869, chronicling his
boyhood years in the Port City. Many historians and authors credit the
unusual book with inspiring beloved Mark Twain characters like Tom
Sawyer and Huckleberry Finn.
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When Littlefield Skate Park unveiled its new half pipe and bank last
week, close to 50 kids showed up with their boards to test the new
equipment. The Exeter Parks and Recreation Department is now looking
for volunteers to help add some finishing touches to the newly
renovated park on Saturday, May 17.
Located on Lower Court Street in Exeter, John C. Littlefield III
Memorial Skate Park was originally installed 10 years ago. But, as the
park’s concrete structures became outdated, activity at the site
digressed from skateboarding to loitering, according to town officials.
“When we came onboard, the old concrete structures that were
there were deteriorating and the park was really being trashed and not
being used,” said assistant director of parks and recreation Greg
Bisson. “We added approximately 10 new elements, including the two that
just were installed.”
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Most Valuable Player

Sanctuary Arts

Mickey and Jan Rooney
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© 2008 The Wire
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