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Rosemary, 07-01-09
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1502GDD, 07-01-09
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A new N.H. Seafood brand will help residents purchase local fish. Can it help preserve our local fishing industry?
Travel
anywhere on the Seacoast and you’ll see fishing boats along the shore.
But where to eat their fresh fish? Good luck with that. About 11
million pounds of fish, including just over 3 million pounds of fin
fish, landed on the New Hampshire coast last year, and nearly all of it
left the state after being unloaded on the pier.
Like most of us, I didn’t have a clue that our fish are heading
down the interstate. But for those who’ve been watching the industry
consolidate over the last 30 years, it’s like standing by while trucks
full of money disappear down the road. And seeing 400 years of
tradition being sold to out-of-staters. And, for some reason, saying
“no, thanks” to an affordable supply of fresh healthy food, only to buy
it back a few days later and older, at a higher price.
The math doesn’t make sense to a small group of people who have
been meeting at Portsmouth City Hall since October working to turn the
tide. This week, they’ll launch “NH Seafood Fresh and Local,” a new
brand intended to help consumers identify locally landed seafood,
species that are both fresh and managed to sustainability.
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catching up on local news
• The gods seem to be
conspiring against local campgrounds this summer. Not only did
incessant rain splatter the region at near record levels in June, but
the N.H. Legislature has seen fit to impose a 9 percent rooms and meals
tax on campsites. Recreational campers and campground owners are not
pleased with this development, nor are Republican opponents of the
state budget. Never before has the tax, normally imposed on hotels and
their restaurants, been expanded to include campsites. The new state
budget also increases the rooms and meals tax rate from 8 to 9 percent,
delivering an extra blow to the campgrounds now under its purview. The
result will likely be higher fees for campers, many of whom are already
pinching pennies in these tough times. You might be better off pitching
a tent in the backyard of your house—if it hasn’t been foreclosed on.
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Michael Jackson and the speed of information
On the
afternoon of Thursday, June 25, Michael Jackson’s fame peaked with the
sharp spike of fascination that comes moments after the death of a
celebrity.
First reporting the story was TMZ.com, the Jerry Springer of
entertainment Web sites. While Fox News, CNN and MSNBC were starting to
post news of the singer’s collapse, TMZ had already declared Jackson
dead. (For the first 40 minutes, CNN listed the singer as suffering
“serious cardiac arrest.” Well, yeah. It’s always serious when your
heart stops beating.)
The Iran election was knocked from the top of Twitter’s trending
topics for the first time in two weeks as millions of users tweeted the
news, causing the site to go down repeatedly. Perez Hilton, the
self-proclaimed “Queen of Media,” posted his usual snark alongside a
picture of Jackson, with the caption “Heart attack or cold feet?”
referring to the singer’s recent postponement of 50 sold-out shows he
was set to perform in London. “We knew something like this would
happen!!... We are dubious!!” Hilton wrote, going on to encourage
ticket holders to get their money back and accusing the singer of
faking to get out of the shows. (Minutes later, when reports of the
death started pouring in, Hilton edited his post to simply read that
Jackson was suffering a heart attack and his mother was on her way to
the hospital.)
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piercing the budget
Fairness was in the eye of the
beholder at the State House last Wednesday when the N.H. House and
Senate grudgingly approved the 2010-11 budget. House Bills 1 and 2
contain the state’s general fund spending and revenue, respectively.
Earning few cheers, the legislation has been called everything from a
legitimate compromise doing the “least possible harm” to an illegal
“dung heap.”
With demand for services up and revenue down, legislators faced
a $500 million projected shortfall in the general fund, which comprises
about one third of the state’s $11.6 billion biennial budget. The other
two thirds come from federal funding, dedicated funds, and a host of
one-time monies like the federal stimulus package. Use of short-term
dollars is not new in the budget balancing act, but neither is
criticism of the technique. Detractors say it fails to address a
“structural deficit” that always leaves budget writers with problems.
In its final debates, the budget’s passage was attributed mostly
for what it doesn’t do: No casinos will break ground next year,
gasoline won’t come with a 15-cent-per-gallon fee, and a capital gains
tax has been dodged, for now. Echoing the sentiments of many
colleagues, Sen. Jacalyn Cilley (D-Barrington) said she voted for both
bills only because “the most onerous taxes and fees” had been cleared
from the table.
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South Berwick native Slaid Cleaves brings new CD to his hometown
Everything
about singer-songwriter Slaid Cleaves’ new album, from the title and
cover art to the lyrics and melodies, gushes with pending tragedy.
Released in April, “Everything You Love Will Be Taken Away” suggests
the infirmity and transience of the fleeting things we take for
granted. Cleaves tried to make that theme inhabit every aspect of his
record.
“I just learned early on that in order to make an impression on
people, in order for people to remember my songs, I had to really
strike them in the heart and really move them,” he said. And striking
the heart means stoking the tragic.
Cleaves spoke to The Wire by phone while driving to Pittsburgh
for the first leg of a tour that will keep him on the road for five
months. The tour swings through his hometown of South Berwick, Maine,
on Thursday, July 2, kicking off the 10th annual Hot Summer Nights
concert series.
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The Tommy Gallant Jazz Festival
One of the Seacoast’s
long running cultural events, the Tommy Gallant Jazz Festival will take
place on Sunday, July 5, at Prescott Park. The festival runs from noon
until 6 p.m. and will once again feature an array of local and regional
talent performing over four 75-minute sets. Sorry, fans of vocal
jazz—the emphasis of this year’s event is purely on the instrumental
side. The list of performers includes Billy Novick’s Blues Syncopators,
and saxophonist Fred Haas and guitarist Dave Newsam leading a segment
titled the “LA4 Tribute to saxophonist Bud Shank.” Then there’s The
Press Room Trio of Ryan Parker, John Lockwood and Les Harris Jr.
performing with guests Trent Austin on trumpet and David Wells on
saxophone, plus the Seacoast Big Band, directed by Dave Seiler.
The festival celebrates the legacy of the late Tom Gallant,
founder and long-time centerpiece of Sunday Jazz at The Press Room in
Portsmouth. Gallant, who passed away in 1998, and Dave Seiler helped
organize the annual event, initially dubbed the Seacoast Jazz Festival,
after the demise of the Portsmouth Jazz Festival in early 1996. Renamed
the Tommy Gallant/Seacoast Jazz Festival in 1999, the concert has long
been a showcase for local and regional talent with performers of
international stature, such as guitarist Howard Alden, vocalist Luciana
Souza and trumpeter Bobby Shew, also appearing at the festival.
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rated PG-13
“Transformers: Revenge of the Fallen” is
the most American movie ever. To be more specific, it’s an expensively,
maybe even carefully constructed meta-prank about America, pop culture
and other topics best left unaddressed by giant talking robots.
“Revenge” can only be a goof. That it would make a boatload of money
was a given, and with that goal out of the way, director Michael Bay,
stars Shia LaBeouf and Megan Fox and the rest of the people responsible
for this travesty must have had some other endgame in mind. Laughing
with and at everything that is great and stupid about modern life in
America seems as reasonable an explanation as anything presented in the
movie, though that’s damning with faint praise indeed.
Here are the ways in which “Revenge” is the movie that most
embodies, celebrates and ridicules America. There’s nothing America
loves more than believing in crazy conspiracies, aliens and fake
religions. In this case, the ancient predecessors of the Transformers
built the pyramids to disguise some sort of giant machine that was
supposed to destroy the sun. Except they met some primitive humans and
decided not to use the machine (well, except for one evil robot, who
was banished someplace and became the “Fallen” referred to in the
title). Thousands of years later, people still believe this crazy
stuff, particularly John Turturro, reprising his role as a government
spook who likes to take his pants off and talk to himself. There’s also
a brief detour into Robot Heaven during the bombastic climax. Robot
Heaven is full of mist and robot angels and it’s so ridiculous that it
can only be a joke. This may sound like nonsense now, but don’t
worry—it doesn’t make sense in the movie, either.
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108 Sound Studio, 1988
starring: Barbara Anne Constable, Christopher J. Hart and Claudia Angelique Rademaker
written and directed by: H. Tjut Djalil (Jalil Jackson)
the plot:
In Indonesia, legend tells of the South Sea Queen, an alluring yet
vicious woman who murders her lovers while in the throes of passion.
That is, until a young man robs the queen of her hidden source of power
(a mystical snake hiding inside her vagina)—an act that causes a
tsunami to drag the queen’s seaside castle beneath the waves and
condemn her to death. But before she dies, she curses the young man and
vows vengeance on his descendants. Hundreds of years later,
anthropology student Tania Wilson (Constable) awakens the spirit of the
queen while on a deep sea dive. The queen possesses Tania, who becomes
an unstoppable killing machine. Her target: pop star Erica (Rademaker),
a distant descendant of the young man who caused the queen’s downfall.
Tania pursues Erica relentlessly, and Erica’s only hopes are Max McNeil
(Hart), a cop charged with protecting her, and her uncle, an old mystic
who may know how to defeat the spirit of the South Sea Queen.
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Taste of the Nation sets fundraising record in fight to end childhood hunger
When
Bill Shore and his wife Debbie founded Share Our Strength in 1984, they
knew success would hinge on their steadfast belief that everyone is
capable of making a difference in the fight to end childhood hunger.
Twenty-five years later, people around the nation continue to
reaffirm that belief—including the 1,000 guests gathered on the lawn of
Strawbery Banke Museum on the evening of June 24. The 15th annual Taste
of the Nation Portsmouth raised more than $115,000 for the fight
against hunger, a new record.
Chefs from 50-plus local restaurants prepared their finest
delicacies, and 25 area brewers and wineries offered beverages. Diners
assembled under a gigantic white tent and navigated rows of tables
serving everything from Jumpin’ Jay’s raw oysters to The Press Room’s
lobster stew to Fresh Local’s hotdog sliders. When everyone was sated,
guests hit the dance floor and grooved to live music from Boston’s Soul
City.
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by Slavoj Žižek
Picador, 272 pages
Trade paperback publisher Picador chose a
big personality to anchor “Violence,” the first entry in its “Big
Ideas, Small Books” series. Slavoj Žižek is referred to as the “Elvis
of Cultural Theory,” and like any good rock star, has a model for a
wife. A self-described Marxist Communist, Žižek has run for president
in his native Slovenia, written several books that marry sociological
theory with pop culture, and continues to teach and lecture all over
the world.
Žižek has been the topic of an eponymous documentary film, and
is one of several theorists to appear in “Examined Life,” which
recently played at The Music Hall in Portsmouth. One of his most
entertaining efforts has been the production of a BBC series, “The
Pervert’s Guide to Cinema,” in which Žižek discusses and inserts
himself into scenes spanning from Chaplin’s “The Great Dictator”
through David Lynch’s “Mulholland Drive.” Viewers can see him rowing a
boat in “The Birds,” reacting to the demon in “The Exorcist,” and
refusing to choose the red or blue pill in “The Matrix.”
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Portsmouth Fabric Company marks 30 years with art show
Sometimes
loyal customers of the Portsmouth Fabric Company get stuck in a sort of
sewer’s block. Owner Gretchen Rath said they walk through the high
aisles of colorful and patterned fabric bolts to the Brick Wall Gallery
in the back of the shop to find inspiration.
“They’ve got ideas they need to get out,” Rath said. “It’s just very
satisfying to be creative and to know that what you’re doing is not
anything anyone else is doing.”
This month, the Portsmouth Fabric Company is hosting a textile
art exhibit, sales and charity events to celebrate 30 years of
providing sewers with materials to create quilts, garments, home
decorations and art.
The Brick Wall Gallery and the upstairs studio will feature a
retrospective of works by regional fabric artists who have shown at the
company over the past three decades. The exhibit will run through
Sunday, July 26.
Artists include master sewers who offer classes in the studio,
such as former manager Susan Carlson. Her art quilt, called “Polka
Dodo,” is a complex and colorful combination of polka dot fabrics,
tulle, and swirling stitches that together form the shape of a bird,
bordered by Australian fabrics. She uses shadowing and light catching
materials to make a life-like image. Some of the other artists in the
show are Susan Forsman, whose quilts look like flower gardens, Dianne
Hire, who has an angular, experimental style, and Wren Redmond, who
invented a fabric hologram technique.
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Children’s Museum hosts textile arts exhibit
Dover was once known as one of the textile capitals of the
nation. The Children’s Museum is revisiting the city’s legacy in
Gallery 6 with a summer exhibit called “A Continuous Thread,” on
display through Sept. 6.
The new art display complements the museum’s recently completed
Cochecosystem exhibit, which shows visitors the natural life on the
river as well as its industrial past. In contrast, the museum’s Gallery
6 showcases three fiber artists with a contemporary take on the medium.
The gallery walls are alive with colorful work by weaver and art
educator Sarah Haskell; master printmaker on paper and fabric Lisa
Grey; and Suzanne Pretty, a founding member of the Tapestry Weavers in
New England and two-time Artist Fellowship winner from the N.H. State
Council on the Arts.
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Hackmatack Playhouse is perfect for ‘Our Town’
Someone
played a piano in the rehearsal barn while people waited for the show
to start, sitting on benches under shady trees. Children worked the
concession stand offering homemade strawberry shortcake.
The Hackmatack Playhouse in Berwick, Maine, is an old red barn
with a faintly dusty smell, antique farming tools and exposed beams.
It’s the perfect setting for “Our Town,” a play about the simple life.
The first show of the season, it runs Wednesday through Saturday until
July 4.
This New England classic drama by Thornton Wilder is set in
Grover’s Corners, a composite of several average New Hampshire towns in
the Mount Monadnock region during the early 1900s. Through three acts
of daily life and death, the play touches on how industrialization and
immigration change things, but it really focuses on how some things
stay the same.
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rain, rain, go away
It hardly seemed necessary to check the weather forecast during
the month of June. A glance out the window almost invariably indicated
that it was rainy, drizzly, cloudy, foggy or a combination of all four.
“We have an abundance of rainfall this month. Everybody knows
that. It’s pretty amazing,” said meteorologist Butch Roberts, of the
National Weather Service.
As of June 28, 5.15 inches of rain had fallen in Concord during
the month of June, and there had been 19 foggy days. Average rainfall
for the first 28 days of June is 2.88 inches in Concord—2.27 less than
this year. Last year’s rainfall was also above average, with 4.70
inches falling by June 28.
There was even more rain in Portland, Maine, where 8.17 inches
had fallen by June 28. That’s more than five inches more than the
city’s June average of 3.06 inches. In fact, Portland’s monthly average
was surpassed in a single 24-hour period from June 18 to 19, when 3.33
inches poured down. Last year, the city had just 3.63 inches in June.
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Brainscan

Mr. Satan in 1989

Roadside America
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© 2009 The Wire
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